
Resimli Başyapıtlar Seti-8 Kitap Takım
Transformation
“When Gregor Samsa woke up from restless dreams in his bed one morning, he found himself transformed into a giant insect. He found it transformed. He was lying on his hard shelled back, and when he raised his head a little, he could see his brown, domed belly, decorated with bow-shaped strips, which he was barely holding on to, on top of the quilt that was about to slip off. His many legs, which were pitifully thin compared to his body, were shaking helplessly before his eyes.”
With these shocking, strange sentences, Kafka begins The Metamorphosis, which is among the most impressive works of the twentieth century.
With its sharpness and simplicity. When this masterpiece, which best describes Kafka's literary intensity, is combined with the imagination of Argentinian illustrator Luis Scafati, the result is a literary feast that is insatiable.
“Kafka's art forces the reader to re-read him. The endings – or non-existent endings – of his works offer explanations that are not explicitly stated, but require the story to be re-read from another perspective.”
Albert Camus
“[Kafka] describes the unpoetic fabric of a highly bureaucratized society. to the magnificent poetry of the novel; It transforms the very ordinary story of a man... into a myth, an epic, into a beauty never seen before.”
Milan Kundera
The Black Cat
“I don't expect you to believe this crazy yet simple story I'm about to write. It would be madness for me to expect this from you, when even my own mind sees the things clearly and denies them. But I know I'm not crazy, and I'm sure I'm not dreaming. Since I will die tomorrow, I need to pour out my heart today.”
Welcome to the mysterious and dark world of Edgar Allan Poe! Poe's uncanny stories, which describe horror, fear, the ambiguity between fantasy and reality, the dark side of man and despair, are this time accompanied by Luis Scafati's unique drawings. The stories of Scafati, who opens the doors of a dark and sensitive world with his drawings dominated by black, which he uses with great care, and Edgar Allan Poe, who has a unique language in conveying the shudder of horror he feels to his readers, come together to create a unique atmosphere.
“Edgar Allan I started making thrillers because I loved Poe's stories so much.”
Alfred Hitchcock
“Where were detective stories before Edgar Allan Poe breathed the breath that gave it life?”
Arthur Conan Doyle< /p>
Coat
“Like people who set a goal to achieve at all costs, he was already feeling more full of life and his character was getting stronger. Whatever was hesitant and hesitant in his walk and movements was gone, and a new fire began to shine in his eyes. In his most daring dreams, he sometimes even dreamed of having a marten fur collar sewn on his coat. It is told with a simple realism. Although such a narrative received great criticism in Tsarist Russia of the period and Gogol was accused of insulting the Russian people, it broke new ground in Russian literature. What makes this magnificent work you are holding in your hands different from previously published examples is the fascinating drawings of award-winning illustrator Noemí Villamuza, who has authored more than thirty books.
“We all came out of Gogol's Overcoat.”
Dostoevsky< /p>
“The art that Gogol displays in The Overcoat indicates that parallel lines not only intersect, but also can twist like worms and become chaotic.”
Vladimir Nabokov
Faust< /strong>
Faust tells the very old story of a man who pursues divine knowledge and experience without abandoning logic. The descriptions of the tragic consequences that emerge during this search are both proof of Goethe's great genius and one of the most important achievements in literature.
Johann Wolfgang Goethe's novel, which is considered one of the greatest masterpieces of world literature, was written in thirty years. His magnificent work, Faust, is now accompanied by the magnificent paintings painted by Harry Clarke in 1925.
Although Goethe wrote the second part of Faust, which is about ideas and the characters and events that represent these ideas, towards the end of his life, he does not understand the souls of people. and it is the first chapter with its poetic intensity that really captures his mind. This episode, which was a work of romantic imagination, was full of the emotions, thoughts and desires of living characters and became the source of many other works of art.
“The one in which the soul clings,
Down with its arrogance.
Down with the blinding appearance of appearances that do not leave our senses!
Down with the hypocrisy of dreams,
Our fame and the so-called permanence of our name!
Down with flattering goods and property,
Women, children, servants and servants !
Down with the God of Money, who promises treasures,
Makes us do inconceivable things,
Or for lazy pleasure,
Makes our pillow!
Down with the numbing juice of grapes!
br />Down with the highest love, hope, faith,
Above all, patience!”
Land of the Blind
In the wild barren lands of the Andes Mountains, people A valley that has withdrawn from the world lies. This is the Land of the Blind, which can only be reached after passing through terrible gorges and an ice-covered passage. After a volcano eruption that plunged the valley into darkness for seventeen days, the people who once took refuge in the valley to escape from Spanish persecution and struggled with the scourge of blindness were cut off from the world. The Land of the Blind continues its existence as a legend, told by a man who left the village to find a cure for his blindness and was stranded in the big world. Until a young mountaineer named Nunez was trapped in the valley by a terrible accident...
This famous story by HG Wells is accompanied by the magnificent paintings of Spanish illustrator Elena Ferrándiz.
“… Ann Veronica, The Time Machine, Land of the Blind… these are far better stories than Wells's contemporaries could produce.”
Vladimir Nabokov
“I am very sorry to have discovered Wells at the turn of the century. I wish I could discover it today to feel that dizzying, sometimes terrifying happiness. ”
Jorge Luis Borges
Chess
Chess, written by Stefan Zweig shortly before committing suicide, depicts cruelty, obsession, the power of the mind and the evil that this power will create. A classic that has had a great impact all over the world since its publication. Our story, which continues an endless chess match within ourselves, between two poles like the black and white of the chessboard - good and evil, polite and rude, man and machine, mind and madness, ignorance and knowledge, greed and avarice...
New World Chess Champion Mirko Czentovic is among the passengers on a ship going from York to Buenos Aires. Even though Czentovic is a rude, careless, ignorant and greedy person, he is a true chess genius. The people on the ship want to play a match with him. The young chess player does not refuse these requests and wins one after another, until a dignified, shy stranger appears during a match and intervenes in the game. Even though this stranger says that he has not touched the chessboard for a long time, the match ends in a draw thanks to the tactics he gives.
Akif Kaynar's paintings, which reflect the inner world of the characters and bring to life the important points of the story, take this immortal classic of Zweig to a whole different dimension.
Aurélia
“Sleep is a vague underground that gradually becomes brighter, where from the shadow and the night appear pale figures that dwell in the purgatory, standing solemnly motionless.”
Nerval sees dreams as a means of communication between the world we know and the surreal world. His writings are full of dreams and fantasies that undermine his strong bond with logic and consistency. In Aurélia, one of the most important examples of this and considered his most important work, he examines the vague, mysterious line between dream and reality, madness and creativity, based on his own spiritual experiences and quests.
Nerval, one of the important writers and poets of French romanticism, who influenced the symbolism and surrealism movement as well as many writers such as TS Eliot, Ahmet Hamdi Tanpınar, Charles Baudelaire and Marcel Proust, reflects the ideals of purity, lost youth, self-realization and beauty with his unique and elegant literary style. brings together reflecting images in Aurélia.
What makes this edition special is Ali Çetinkaya's striking drawings that accompany the story.
White Nights
“Dreamer He searches in vain among his old dreams for a spark that will warm his cold heart and bring it back to life, as if he were rummaging through ashes. With the spark he finds, he will rekindle the fire of those beautiful dreams that were extinguished, and he will regain the wonderful dreams that make his blood boil and make him shed tears of happiness.”
He will live in St. This is the story of four white nights of a lonely, sad, dreamer young man who could not get close to anyone in St. Petersburg, but knew the city by heart with its houses and faces.
Our dreamer encounters Nastenka during one of his ordinary night walks. This couple, who are strangers to life, soon become close enough to share their stories, troubles and dreams; When they are together, their sorrows and uneasiness do not haunt them; their nights and souls are enlightened. In White Nights, the loneliness of a person coexists with the possibility of opening one's heart to someone without fear. Even if this opportunity is for a moment, "Isn't such a moment enough for a person throughout his life?"
The elegant and simple style of White Nights, which has a unique place in the oeuvre of Dostoyevsky, one of the most powerful writers of world literature. This time, it is accompanied by Nicolai Troshinsky's
charming drawings.
(From the Promotional Bulletin)
Illustrated by: Luis Scafati / Noemi Villamuza / Harry Clarke / Elena Ferrándiz / Akif Kaynar / Ali Çetinkaya / Nicolai Troshinsky
Translator: İlknur İgan / Bilge Ceren Şekerciler / Elif Ersavcı / Nihat Ülner / Evrim Öncül / Nilgün Tepeköy / Seçil Kıvrak / Baran Sayın
Dough Type: 2. Dough
Size: 13 x 23
First Printing Year: 2019
Print Number:1. Edition
Language : Turkish
Publisher | : | Collective Book |
Number of pages | : | 2019 |
Publication Year | : | 9786052205426 |
The heart | : | Turkish |
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